Work in progress, 2019.

Intérieurs (I-III), 2019. Le Bal du Marquis, Les Carrières du Château de Lacoste (Marquis de Sade), Lacoste, France. Scagliola, rope. 60 x 30 cm.

Passage non-orientable, 2019. Les Arts Éphémères, Parc de la Maison Blanche (Mairie des 9ème et 10ème arrondissements), Marseille, France. Installation with found objects and constructions in wood, staff, and scagliola. 2.1 x 1.4 x 1.2 m.

Tabac, 2019. Staff (plaster, vegetable fibres), wood. 2 x 1.2 x 0.5 m.

Alphabet, 2019. Copper plate and its impression on paper. Two sheets of A4.

Porte-à-faux et d'autres choses, 2018. Staff (plaster, hemp cord), wood. Variable dimensions.

Notebook of A, 2018. Art book published by L'Opuscule, launched 14 July at Tramway, Glasgow, UK.

Arc Autoportant, 2016. Monnaie de Paris, Paris, FR. Installation and performance.

Song Cycle, 2016. Art book illustrated by Kate Timney and published by Beaumont Press, launched 28 January 2016 at The Old Hairdresser's, Glasgow, UK.

Music for Noise, 2015. Sound installation with field recorder, computer, radio transmitter, and radio.


Lucian Moriyama (born Honolulu, 1991) is an artist and writer. He studied at the University of Glasgow and at the École des Beaux-Arts de Marseille. His installations, publications, and documents are informed by cultural history and draw upon the playfulness, wit, and visionary fantasies of the exotic and the utopian. His work invites us to search for artifice and its lacunae, to reread contemporary objects and traditions, to evoke the limits and ends of reason.


Lucian Moriyama (né Honolulu, 1991) est artiste et écrivain. Il a étudié à l’Université de Glasgow et à l’École des Beaux-Arts de Marseille. Ses installations, livres d’artiste, et documents puisent leur source dans l’histoire culturelle, et tirent des aspects ludiques, de wit, et des fantaisies visionnaires de l’exotique et l’utopique. On rencontre l’artifice et ses lacunes, la relecture d’objets contemporains et de traditions, évoquant les limites et fins de la raison.