Porte-à-faux et d'autres choses, 2018. Staff (plaster, hemp cord), wood. Dimensions variable.

One of my first works in response to my research on the Exposition Coloniale of 1922 - a significant encounter between France and its colonies. I've tried to reconfigure the materials and visual motifs of the Expositions Coloniales to create a Benjaminian, allegoric collection of arches, passages, and cantilevers.